Jeff Silverman Presents

FYC 2023

Jeff Silverman - Palette Music • Studio • Production - Nashville, TN

Scroll below for categories and additional information!

Best Folk Album & Best Immersive Audio Album

Best American Roots Song (Brown Dog)

Best American Roots Performance (Ashes)

Please note: The first round of Best Immersive Audio is previewed by committee since it’s considered to be a craft field BUT, on our second and final round, it’s voted on by our voting members. More info on Dolby Atmos/Spatial Audio.

"Wing And A Prayer" - Song For Social Change (click to read more)

Debra Lyn’s “Wing And A Prayer” has also been submitted for Song For Social Change 2023

(Please see below for lyrics & credits)

This song was inspired a number of years ago when Jeff Silverman and Debra Lyn were living in California.

They had gone to see a late-night movie in Santa Monica. When they first walked to the theater, it was early evening, and the sun was still shining. Stores and boutiques were beckoning them to enter and people strolled or hurried towards their destinations – just a normal night for everyone.

It was a long movie and as they walked out onto the same street, now dimly lit by the street lamps, they could not believe their eyes. Everywhere they looked, on benches, in doorways to the high-end shops, homeless people had settled in for the night. It was like they had somehow walked into the twilight zone. Just steps away was the famous Santa Monica Pier and not much further down the road was Hollywood, where so many dreams come true.

After a particularly icy winter in Nashville, Debra remembered this evening and thought even though it would not be ideal, it would be better to be in a warmer place if she were homeless. Her lyrics then inspired Jeff to write the music.

We submitted this song for “Best Song for Social Change” because homelessness is an issue that is everywhere. It extends beyond the borders of our states and country, into the world.

Hopefully, society can continue to work towards eliminating homelessness and people will not have to live on a wing and a prayer.

"Ashes" Introduction • Credits • Musicians

Debra is joined once again by Jeff Silverman, her husband and long-time collaborator for her new album, titled “Ashes.”  In addition to producing and the final mixing and mastering, Jeff has arranged, co-written and performed on the album. The songs on “Ashes” speak directly to the heart, addressing pressing issues that Debra holds dear, including homelessness and animal cruelty. The album also draws inspiration from the untimely loss of Tina Turner and incorporates elements of her life story, intertwined with personal experiences shared by Debra’s friends from the past. “Ashes” is a powerful and emotionally charged musical journey that invites listeners to connect with the profound and sometimes bittersweet realities of life.

“Ashes” has mixed and mastered in Dolby Atmos/Spatial Audio. Dolby Atmos is an innovative audio technology that creates a truly immersive and three-dimensional sound experience, allowing listeners to feel fully enveloped in the music.

Produced, Arranged, Engineered, Mixed and Mastered*
in Dolby Atmos/Spatial Audio by: Jeff Silverman
Palette Music • Studio • Productions (MSP)
Mount Juliet / Nashville, Tennessee, U.S.A.
phone: 615.681.4061 • email: jeff@palettemusic.net
www.palettemusic.com • www.virtualstudionetworks.com

*Jeff Silverman/Palette Studio is a Certified Apple Digital Masters
Mastering House, Approved by Apple Inc.

Graphic Design: DLS Graphics

Cover Photo of Debra Lyn: Stacie Huckeba 

Dolby Atmos / Apple Digital Masters

Lyrics

ASHES

Lyrics: Debra Lyn / Music: Jeff Silverman

DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023
“Ashes” was partially inspired by the late Tina Turner. I was reading an article about how much abuse she suffered at the hands of her then husband, Ike. Fortunately, I can barely imagine a life like this. Tina gained her strength and eventually left with 36 cents in her pocket, but she still had her pride, and her voice which became an inspiration to so many. “Who’s Sorry Now” is a nod to the 1958 Connie Francis hit and “Stayin’ Alive,” well, who wasn’t inspired by the Bee Gees?

You lift me up – just to push me down

Oh, I can’t believe I used to worship your ground

You tell me lies just to watch me cry

And like a fool all I wonder is why

I don’t understand why you do me this way

Why I don’t leave or the reason I stay

 

CHORUS:

Ashes, ashes, burn this down

Ashes, ashes, no one will hear a sound

Ashes, ashes, you never will be found (Down, Down, Down, He’s Goin’, Down, Down, Down, He’s Goin’)

Who’s sorry now (Goin’ Down)

 

VERSE 2:

I was a fool – oh from the start

I believed you when you said we’d never part

You were a dream come true even my friends agreed

I said, “I do,” you put the chains on me

I lost my way, my friends, my family

You can’t see what I don’t want you to see

 

CHORUS:

Ashes, ashes, burn this down

Ashes, ashes, no one will hear a sound

Ashes, ashes, you never will be found (Down, Down, Down, He’s Goin’, Down, He’s Goin’)

Who’s sorry now (Goin’ Down)

 

LEAD:

 

VERSE 3:

I’m gaining strength (I gain my strength) – oh every day (every day)

And sooner or later (sooner or later) you won’t stand in my way (you’re not in my way)

I’ll bide my time till you’re not lookin’ behind

I see the light and freedom is mine

I ain’t got much, but I still got my pride

No way to live barely stayin’ alive.

 

CHORUS:

Ashes, ashes, burn this down

Ashes, ashes, no one will hear a sound

Ashes, ashes, you never will be found (Down, Down, Down)

Who’s sorry now (Down, Down, Down, He’s Goin’)

He’s Goin’ Down (Down, Down, Down, He’s Goin’)

In the ashes (Down, Down, Down, He’s Goin’, Ashes)

(Down, Down, Down, Down, Down, Down, Down, Down)

Ashes, Ashes, (hes’ goin’ down)

Ashes Ashes

Ashes, Ashes

Ashes, Ashes

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Keyboards, Bass, Baritone Acoustic Guitar, Drums, Background Vocals – www.palettemusic.com
TJ Klay: Harmonica – www.tjklay.com
Kim Fleming: Background Vocals – Kim Flemming (Facebook)

WING AND A PRAYER

Lyrics: Debra Lyn / Music: Jeff Silverman

DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023

“Wing And A Prayer” was inspired a number of years ago when Jeff and I were living in California. We had gone to see a late-night movie in Santa Monica. It was early evening, and the sun was still shining–just a normal night for most of us. The movie was long and as we walked out onto the same street, now dimly lit by the street lamps, we could not believe our eyes. Everywhere we looked, on benches, in doorways to the high-end shops, homeless people had settled in for the night … not much further down the road was Hollywood, where so many dreams come true.

VERSE 1:

You pass me by each morning and try not to see

Look away, look ahead and just let me be

I don’t want your money or even your time

But for the grace of Almighty, your world could be mine

 

CHORUS:

And maybe Florida or California would be better to go

Where the days would be warmer, and the nights not so cold

You and I could rest easy beneath the stars

On the sand with no worries about where we are

On a wing and a prayer

 

VERSE 2:

I once was a banker with a beautiful wife

Till I fell to the bottom with no future in sight

My wife she did leave me without a word

In the rain on a Saturday, I lost my whole world

 

CHORUS:

And maybe Florida or California would be better to go

Where the days would be warmer, and the nights not so cold

You and I could rest easy beneath the stars

On the sand with no worries about where we are

On a wing and a prayer

 

BRIDGE:

In dreams I see curtains blow in the breeze

Sun shines through the window, feels like Heaven to me

In dreams I’m not cold, and I’m not hungry

Tomorrow may be better

Together we may get there

On a wing, on a wing and a prayer

 

VERSE 3:

Street life isn’t easy, peace is harder to find

Always watch where you’re goin’, always lookin’ behind

All that I own is in this pack on my back

A lifetime of memories as I fall through this crack

 

CHORUS:

And maybe Florida or California would be better to go

Where the days would be warmer, and the nights not so cold

You and I could rest easy beneath the stars

On the sand with no worries about where we are

On a wing and a prayer (on a wing and prayer)

On a wing and a prayer (on a wing and prayer)

On a wing and a prayer (on a wing and prayer)

On a wing and a prayer

 

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Keyboards, Bass, Background Vocals – www.palettemusic.com
Matthew Burgess: Drums & Percussion – www.percussionator.com
David Flint: Acoustic Guitars, Bouzouki – David Flint (Facebook)
Tim Lorsch: Strings – www.timlorsch.com

 

BROWN DOG

Lyrics: Debra Lyn / Music: Jeff Silverman

DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023

“Brown Dog” was in part inspired by Buck, in Jack London‘s CALL OF THE WILD, who was stolen from his family to be used as a sled dog in the Yukon. I also adopted a rescue Corgi named Chris who would shy away from certain people due to issues unknown from his past. My “brown dog” was taken for a more sinister and cruel purpose–to feed the blood sport “game” of dog fighting. Although dog fighting is a felony in the United States, organized fights still take place. According to the ASPCA, estimates suggest that tens of thousands of individuals are involved in dog fighting in the U.S. Dog fighting has been banned in many countries as well, but it remains legal in others and the “bad men” continue to profit.

VERSE 1:

Brown dog has big sad eyes and scars upon his face

He sometimes will still shy away from those he can’t erase

No history was told to me aside from circumstance

He was saved and healed by someone who gave him second chance

 

CHORUS:

Brown dog had to fight for his life without a reason why

Blood in his fur at the end of the night, sometimes barely alive

Money on the table, for those who gamble

On death with no mercy

And the bad man smiles (Bad Man)

 

VERSE 2:

Brown dog has no mean bone, he’s gentle as can be

He was stolen for a blood sport game with tickets, they sold them for a fee

To live or die, the reasons why he couldn’t understand

Wickedness and cruelty that should be forever banned

 

CHORUS:

Brown dog had to fight for his life without a reason why

Blood in his fur at the end of the night, sometimes barely alive

Money on the table, for those who gamble

On death with no mercy

And the bad man smiles (Bad Man)

Poor brown dog

 

LEAD:

Money on the table, for those who gamble

On death with no mercy

And the bad man smiles (Bad Man)

 

VERSE 3:

Brown dog was all alone and living in a cage

Broken, scared, misunderstood, his heart would still not break

He raised his head and our eyes met, I didn’t leave alone

Now he sleeps peaceful beside me in his forever home

 

CHORUS:

Brown dog had to fight for his life without a reason why

Blood in his fur at the end of the night, sometimes barely alive

Money on the table, for those who gamble

On death with no mercy

And the bad man smiles (Bad Man)

Bad man smiles (Bad Man)

Bad man smiles

As brown dogs die

 

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Bass, Baritone Acoustic Guitar – www.palettemusic.com
Matthew Burgess: Percussion – www.percussionator.com
David Flint: Acoustic Guitars, Dobro – David Flint (Facebook)

 

VIDEO PRODUCTION: Markey Blue Productions

STRANDED

Lyrics: Debra Lyn / Music: Jeff Silverman

DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023

“Stranded” is again inspired by Tina Turner as well as friends I have known in the past that just could never seem to break free from a person who was not treating them kindly.

VERSE 1:

You don’t see how you can be

Your words cut to the heart of me

Though I try to hide my tears

I try to hide my fear

To keep the peace, I will agree

 

CHORUS:

But I’m Stranded

You know you stole my heart

Oh, I’m stranded

Cause you tore it all apart

Empty handed

Nothing I can hold

 

VERSE 2:

I gave my heart, you took my name

You make me feel like I’m to blame

There is no way that I can see

The way to live or leave

I burn in your eternal flame

 

CHORUS:

But I’m Stranded

You know you stole my heart

Oh, I’m stranded

Cause you tore it all apart

Empty handed

Nothing I can hold

 

BRIDGE:

Those who say I have the choice

Can’t understand I have no voice

He tells me if I leave today

no one would want me, anyway

 

LEAD:

 

VERSE 3:

In darkness I lay quiet now

Afraid to move or make a sound

Angry words and angry hands

More pain that I can stand

I close my eyes and wonder how

 

CHORUS:

I’m still stranded

You know you stole my heart

Oh, I’m stranded

Cause you tore it all apart

Empty handed

Nothing I can hold on to

Oh, I’m stranded

I’m still stranded with you

 

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Bass, Baritone Acoustic and Electric Guitar, Keyboards, Drums – www.palettemusic.com
David Flint: Acoustic Guitars – David Flint (Facebook)
Kasey Todd: Percussion – www.kaseytodd.com

 

CLOSE BY

Words & Music: Debra Lyn

DebraLynMusic (ASCAP)

© 2023

“Close By,” there is a phrase about lightening striking you down if you lie. In this case, she deems it to be not safe to stand too close…

VERSE 1:

Five past midnight when you come home

One look and I know that you weren’t alone

Honestly, you swear to me that I must be wrong

‘Cause if I don’t believe you, you say, “May lightning strike you down.”

 

CHORUS:

And, I hear the thunder rollin’

It’s lighting up the sky

I maybe should start running

I don’t wanna be close by

 

VERSE 2:

Long I have doubted and long I have cried

I’ve tried to understand and make things right

And I believe I might see the truth yet tonight

‘Cause if I don’t believe you, you say, “May lightning strike you down.”

 

CHORUS:

And, I hear the thunder rollin’

It’s lighting up the sky

I maybe should start running

I don’t wanna be close by

 

BRIDGE:

And the wind is getting higher

I feel the chill down to my bones

I don’t wanna stand beside you

It’s not safe to be so close

 

CHORUS:

And, I hear the thunder rollin’

It’s lighting up the sky

I maybe should start running

I don’t wanna be close by

When the thunder’s rollin’

It’s lighting up the sky

I maybe should start running

I don’t wanna be close by

I hear the thunder rolling

It’s lighting up the sky

I maybe should start running

I don’t wanna be close by

 

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Keyboards, Bass, Background Vocals, Sound Design – www.palettemusic.com
Matthew Burgess: Drums & Percussion – www.percussionator.com
David Flint: Acoustic Guitars – David Flint (Facebook)

 

I DON’T KNOW HOW TO LOVE YOU

Words & Music: Debra Lyn

DebraLynMusic (ASCAP)

© 2023

 

VERSE 1:

I don’t even know why I stand here and let you make me cry

It’s the same story mmmmm… night after night

You’re always running away and I’m running out of time

If you were truly, truly mine, you’d turn away from that door and hold me tonight

 

CHORUS:

‘Cause I don’t know how to love you

Don’t know how to hold you

Don’t know what goes through your mind

It’s a mystery what you ever did see in me

I’m not what you want me to be

And I don’t know how to love you.

 

VERSE 2:

I’m believing you’ll come back tonight you’ll miss me and finally realize

Just wishful thinking  mmmmm… I pray every night

You’ll find a reason to stay and a reason to tell her goodbye

Then you’ll be truly, truly mine, you’ll never walk out of that door without your hand in mine

 

CHORUS:

‘Cause I don’t know how to love you

Don’t know how to hold you

Don’t know what goes through your mind

It’s a mystery what you ever did see in me

I’m not what you want me to be

And I don’t know how to love you

 

BRIDGE:

You run away from me

From what you won’t say to me

I won’t beg and I won’t plead

Or get down to my knees

 

CHORUS:

‘Cause I don’t know how to love you

Don’t know how to hold you

Don’t know what goes through your mind

It’s a mystery what you ever did see in me

I’m not what you want me to be

And I don’t know how to love you

No, I don’t know how to love you

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Bass, Baritone Acoustic Guitar, Keyboards, Background Vocals – www.palettemusic.com
David Flint: Acoustic and Electric Guitars – David Flint (Facebook)
Andy Hull: Drums – Andy Hull (Facebook)

 

 

BIG ENOUGH FOR 2

Lyrics: Debra Lyn / Music: Jeff Silverman
DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023

“Big Enough For 2” is for anyone who has ever had someone tell you that they’d like to “put you in the ground…” Hopefully you successfully kicked that person to the curb.

VERSE 1:

Well, you thought you were the only one and you could choose

I would stay here – no matter what you do

Smack me down, you know you bruise my heart

You give me all the strength I need alone to start

Now the ties are all undone

So, you better run to your new someone

 

CHORUS:

You say you’re gonna put me in the ground

One long cold night no one’s around

And I say well if you do

You better dig a grave that’s big enough for two.

Well, you dig a grave big enough for two

You better dig a grave big enough for two

Woo Hoo

VERSE 2:

There’s been a lotta talk around our little town

It ain’t big enough for the two of us now

You know my Daddy’s got a big shotgun

If I were you I’d run, I’d run

Now the ties are all undone

So, you better run to your new someone

 

CHORUS:

You say you’re gonna put me in the ground

One long cold night no one’s around

And I say well if you do

You better dig a grave that’s big enough for two.

Well, you dig a grave big enough for two

You better dig a grave big enough for two

Woo Hoo

 

BRIDGE:

There are times when the sun don’t shine

You get lost and you lose your mind

Now I don’t wish you much ill will

I’ll never want you back, but I want you still

 

LEAD:

 

Now the ties are all undone

So, you better run to your new someone

 

CHORUS:

You say you’re gonna put me in the ground

One long cold night no one’s around

And I say well if you do

You better dig a grave that’s big enough for two.

Well, you dig a grave big enough for two

You better dig a grave big enough for two

Woo Hoo

Better dig (Ya gotta dig)

Better dig (Ya gotta dig)

Yeah, ya dig (Ya gotta dig)

Better dig (Ya gotta dig)

Better dig

 

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Lead & Background Vocals, Bass, Baritone Acoustic Guitar, Sound Design – www.palettemusic.com
Andy Hull: Drums – Andy Hull (Facebook)
Mike Johnson: Steel Guitar – www.mikejohnsonproductions.com

 

 

HELL MUST’A SENT YOU

Lyrics: Debra Lyn / Music: Jeff Silverman

DebraLynMusic (ASCAP) / So Look It Music (ASCAP)

© 2023

 

VERSE 1:

Don’t wanna listen to your reasons why and all your worn out lies

Just keep a straight face while you smile

You say you’re taking out the trash and you disappear for hours

And now you wanna bring me flowers

You smile that shy boy kind of grin

And I know I’ll never, ever win

 

CHORUS:

Hell must‘a sent you

‘Cause Heaven never would

I don’t think I deserve this

‘Cause all I’ve been was good

There must be a reason

I really don’t know why

But Hell must’a sent you into my life

 

VERSE 2:

You say our neighbor’s car broke down and you have to help her out

And now her husband’s out of town

You say really you hope I’ll understand

Well Hell if I do but you’re my man

 

CHORUS:

Hell must‘a sent you

‘Cause Heaven never would

I don’t think I deserve this

‘Cause all I’ve been was good

There must be a reason

I really don’t know why

But Hell must’a sent you into my life

 

BRIDGE:

Instead of Heaven sent, I’m hellbent to leave you behind

If I stay one more day, I’m gonna throw everything I have away

Then all I’ll have today is yesterday

Hell must’a sent you

 

LEAD:

 

CHORUS:

Hell must‘a sent you

‘Cause Heaven never would

I don’t think I deserve this

‘Cause all I’ve been was good

There must be a reason

I really don’t know why

But Hell must‘a sent you into my life

Hell must‘a sent you into my life

Hell must‘a sent you into my life

Hell must‘a sent you

Hell must‘a sent you

Hell must‘a sent you

MUSICIANS:
Debra Lyn: Lead & Background Vocals – www.debralyn.com
Jeff Silverman: Bass, Baritone Acoustic Guitar, Electric Guitar, Keyboards, Background Vocals – www.palettemusic.com
Andy Hull: Drums – Andy Hull (Facebook)

 

WINTER HEART

Words & Music: Debra Lyn

DebraLynMusic (ASCAP)

© 2023

“Winter Heart” is for anyone who still holds a candle for someone in their past, even though that love can never be.

VERSE 1:

In my winter heart

My love for you stays true to never depart

As the snow covers the ground

Softly sheltering the world below without a sound

 

CHORUS:

And you, you’ll never know me

And you, forever will be

My one and only

The ghost of a love that won’t part

From my winter heart

 

VERSE 2:

In the spring flowers will bloom

Rising up to the sun on wings from their earthly tomb

As the green covers the ground

My heart remains with you to never be found

 

CHORUS:

And you, you’ll never know me

And you, forever will be

My one and only

The ghost of a love that won’t part

From my winter heart

 

BRIDGE:

Though love has tried to find a place, it’s passed me by

The flame grows dimmer, but it won’t die

It won’t die

 

VERSE 3:

As the day fades to the night

The moon lights the shadows and tears fall from my eyes

I know our love never will be

You belong to another and you will never love me

 

CHORUS:

And you, you’ll never know me

And you, forever will be

My one and only

The ghost of a love that won’t part

From my winter heart

The ghost of a love that won’t part

From my winter heart

MUSICIANS:
Debra Lyn: Lead & Background Vocals, Ukulele – www.debralyn.com
Jeff Silverman: Keyboards, Bass, Baritone Acoustic Guitar, Background Vocals – www.palettemusic.com
Matthew Burgess: Hand Drums & Percussion – www.percussionator.com
David Flint: Acoustic Guitars – David Flint (Facebook)
Tim Lorsch: Strings – www.timlorsch.com

 

 

FYC: Black Rose of Sharon - Best Instruments & Vocals. Written by Ethan Johnson. Produced Mixed & Mastered in Dolby Atmos / Spatial Audio by Jeff Silverman of Palette Music • Studio • Productions - Nashville / Mt Juliet, TN
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Words and Music by: Ethan Johnson
Artist: Guardian
Background Vocals: Natalie Jean, Debra Lyn, Guardian
Producer: Jeff Silverman
Executive Producer: Ethan Johnson
Mixed and Mastered: Jeff Silverman –
Dolby Atmos / Spatial Audio
All Instruments Performed by: Jeff Silverman

Contact:
Ethan Johnson
BMI
Songtrust
emeraldoniz@yahoo.com
876 289 8968

 

 “Black Rose Of Sharon”
(ft. Debra Lyn) Guardian

  • Best Arrangement, Instruments & Vocals
  • Song Of The Year
  • Record Of The Year
FYC: IN DREAMING -SEAY ft. Jeff Silverman. Best Arrangement & Instruments. Dolby Atmos / Spatial Audio Immersive Mixed and Mastered by Jeff Silverman of Palette Music Studio Productions - Nashville / Mt Juliet, TN
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CREDITS:
Executive Producer: Seay
Immersive Producers: Jeff Silverman and Seay
Music Composed: Seay, Tuscan Sun Music Sesac
Vocals, Grand Piano, Percussion, Strings Recorded By: Seay and Jules Delgado Illumination Studios,Tuscan Sun Music, Nashville, Tennessee
Baritone Guitar and Bass Recorded By: Jeff Silverman Palette Studio (MSP), Nashville / Mount Juliet, Tennessee
Baritone Guitar, Bass : Jeff Silverman
Mixed and Mastering: Jeff Silverman
Palette (MSP) and Virtual Studios Network (VSN) Mt Juliet, Tennessee

This gorgeous music is Multilevel listening at its’ finest, and sure to transport the listener to faraway worlds with lush production and instruments 

“In Dreaming”
Seay ft. Jeff Silverman

  • Best Arrangement & Instruments
Suzanne Grzanna - Anniversary Album -Best Jazz Vocal Album- Dolby Atmos / Spatial Audio mixes by Jeff Silverman @ Palette Music • Studio • Productions - Nashville / Mt Juliet TN
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Listen to album on SoundCloud

Suzanne Grzanna: Vocals & Saxaphone
Scott Currier: Piano
Hal Miller: Bass
Terry Smirl, Brian Ford and Mark Johnson: Drums

Executive Producer: Suzanne Grzanna 

The album was Produced, Engineered, Mixed and Mastered in Dolby Atmos / Spatial audio by: Jeff Silverman of Palette Music • Studio • Productions

Recorded at DV Studios by Dave Vartanian – Milwaukee, WI
Sound Production and Engineering at DV Studios: Dave Vartanian 

Ennui – Recorded at Mazziotti Studios. 
Additional Producer and Sound Engineer: Mason Mazziotti

 

Additional Engineer: Greg Klaus

New Graphics: Debra Lyn (DLS Graphics)
Graphics from the original Cat’s Meow Album: Jeff Paul, McDill Design, Ltd.
Photographer: Mike Huibregte

Music & Lyrics by: Suzanne Grzanna 
Publisher: Grzanna Jazz Productions LLC (ASCAP)

 

“The Cat’s Meow Anniversary Album”
Suzanne Grzanna

  • Best Jazz Vocal Album / Best Immersive Audio Album
FYC_DREAM-SEAY_Best Arrangement, Instruments And Vocals.Dolby Atmos / Spatial Audio Immersive Mixed and Mastered by Jeff Silverman of Palette Music Studio Productions - Nashville / Mt Juliet, TN
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Seay’s “Dream” is a beautifully crafted work of art. Written, produced and arranged by Seay, the beautifully remastered “Dream” features Seay with her signature vocals and voices, grand pianos, and instruments. Recorded by Seay and renowned engineer Jules Delgado (Bob James David Sanborn, Spyro Gyra). The song is exquisitely mixed and mastered in Dolby Atmos Immersive by Jeff Silverman, from Palette Music Studio Productions (MSP) and Virtual Studios Network (VSN) in Nashville, Tennessee. This extraordinary music is Multilevel listening at it’s finest, Seay and “Dream” are sure to transport the listener to faraway worlds with Seay’s gorgeous ethereal vocals and lush production.

“Dream”
SEAY

• Best Arrangement, Instruments & Vocals

I LIKE ME ft. KIM FLEMMING –FYC Jazz/R&B - Written by Kim Fleming– Mastered by Jeff Silverman of Palette Music • Studio • Productions. Nashville / Mt Juliet, TN
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Written by: Kim Fleming

Recorded@Kingswood Studios and
Tyronn Hamilton Music Production Studios

Engineer: Carlos Jarrett
Mix Engineer: David Axelrod
Mastering Engineer: Jeff Silverman

Produced by: Tyronn Hamilton
Arranged by: Tim Hamilton , Tyronn Hamilton

Background Vocals &
Background Vocals Arrangement by: Kim Fleming
Keyboards : Tim Hamilton
Bass: Walter Hinkle Hamilton
Drums: Thad Witherspoon
Percussion: Nikolas Hamilton
Piano, Keyboards, Synths, Programming Percussion by:
Tyronn Hamilton

“I Like Me”
Kim Fleming

•  Jazz/R&B 

 

Scarborough Fair (reprise) FYC: Best Arrangement, Instruments & Vocals. Dolby Atmos version mixed and mastered by Jeff Silverman. Palette MSP Nashville, TN - Stereo mix by Grant Maloy Smith and mastered by JS
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Stereo mix by: Grant Maloy Smith / Mastered by Jeff Silverman
Dolby Atmos version Mixed and Mastered by:
Jeff Silverman for Palette Music • Studio • Productions.–Nashville/Mt Juliet, TN
Additional info and video on Grant’s FYC page

Grant Maloy Smith and Kevin Lucas combine their talents again to breathe new life into this ancient song. Arranged and produced by Grant, who wrote a chorus for this classic song and updated most of the lyrics. Kevin Lucas played the marimba and alophone, a bell-like instrument, to Grant’s vocals, guitars and production.

Written in the 1700s, this song was made popular by Simon and Garfunkel in the 1960s. Their folk version was a big hit and a favorite on their 1966 album, Parsley, Sage, Rosemary and Thyme.

From Grant:
Kevin and I wanted to make a very different version of this song, so I got to work on an arrangement. I kept the first verse intact but rewrote the others. If you’re not familiar with the verses, the singer gives his former lover a series of increasingly impossible tasks that she must complete in order to be with him again. I didn’t like that, so I changed it to be a bittersweet love song.

“Scarborough Fair (Reprise)”
Grant Maloy Smith & Kevin Lucas

• Best Arrangement, Instruments & Vocals

Uncle Charle - Doug James - FYC Best American Roots Song & Performance. Co-Produced, Mixed and Mastered in Stereo and Dolby Atmos by Jeff Silverman - Palette Music Studio Productions - Nashville, TN
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Music & Lyrics by:
Chip Orton & Doug James
Sinjin Music, BMI / Doug James Music, BMI

Produced by: Jeff Silverman, Keith Mack and Doug James

Mixed and Mastered in Stereo and Dolby Atmos by: Jeff Silverman for Palette MSP, Nashville TN.

Engineers: Keith Mack, Eamon Loftus, Lindsey Tanner, Gavin Spencer, Jeff Silverman

Executive Producers: Kenny and Ann Simpler, Jeff and Ida Row, Will and Bettye James

Nicole Barka-James – Photo
Marty Burnswolfe – Artwork
Debra Silverman, DLS Graphics – Artwork

“Uncle Charlie”
Doug James

• Best American Roots Song & Performance

Jeff Silverman - Palette Music Studio Productions - Nashville TN Dolby Atmos Spatial Audio

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    Jeff Silverman/Palette Studio is a Certified Apple Digital Masters Mastering House, Approved by Apple, Inc.
    Jeff Silverman mixes in Dolby Atmos
    Palette MSP and Virtual Studio Networks (VSN), located in Mt. Juliet / Nashville, Tennessee, offer world-class music studio production services driven by the talents of their founder, Jeff Silverman.

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    Jeff Silverman -FYC 2023