From the Vault II (Songs From The Lost Chords)
Special Digital Edition
Released 8/7/2026 • Digital Album
Instant Digital Download
(Exclusively Available on Bandcamp)
Available exclusively through Bandcamp, the VAULT II Special Digital Edition is the definitive digital companion to Jeff Silverman’s From The Vault II: The Lost Chords and Stories. Featuring 15 tracks and collaborations with acclaimed melodic rock artists including Marcie Free, Stan Bush, Kenny Cetera, James Christian, Nick Gilder, Rick Springfield, and others, this multimedia edition includes the complete digital album in 320 kbps MP3, 16-bit/44.1 kHz AIFF, and 24-bit/48 kHz WAV formats, 76 pages of expanded digital liner notes, the introductory VAULT II – The Branches Series film, and the complete Branch I Experience for The World Is Better Dreaming, featuring Chris Taylor.
What Listeners Are Saying
Reviews: From the Vault II.
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Melodic.net Review
by Johan Wippsson 2026-08-07
https://melodic.net
Some albums are created to chase trends. Others exist because the songs simply deserve to be heard. Jeff Silverman’s From the Vault II: Songs From The Lost Chords firmly belongs in the latter category. Released in 2026, this remarkable collection isn’t merely another archival release, it is a celebration of a lifetime devoted to songwriting, production, and musical exploration. More importantly, it proves that truly great songs never expire; they simply wait for the right moment to be rediscovered.
As the second chapter in Silverman’s ongoing Vault series, VAULT II: The Branches Series offers listeners a deeply personal journey through decades of creativity. Rather than revisiting old material with modern overdubs or contemporary production tricks, Silverman wisely preserves the original recordings and performances. That decision gives the album a warmth and honesty that modern recreations rarely achieve. Every vocal, guitar part, keyboard flourish, and rhythm section performance captures the emotion of the moment when these songs were first recorded.
Silverman’s résumé is extraordinary. Throughout a career that has included songwriting for Motown, producing artists across multiple genres, and collaborating with legendary performers such as Rick Springfield, James Christian, Marcie Free, Stan Bush, Kevin Raleigh, and Nick Gilder, he has quietly become one of the industry’s most respected craftsmen. From the Vault II feels like opening a long-forgotten treasure chest filled with songs that somehow escaped their moment, but have lost none of their impact.
Musically, the album refuses to stay within a single stylistic lane, much like Silverman’s own career. Melodic rock, AOR, soulful pop, R&B, progressive influences, and heartfelt ballads all coexist naturally. The transitions never feel forced because every song shares the same foundation: exceptional songwriting. Influences ranging from The Beatles, Stevie Wonder, Cream, Peter Gabriel, and Genesis can be heard throughout the record, yet Silverman’s own musical identity remains unmistakably intact. But even if the album varies through Pop and Rock, the core is AOR and the loverly sound that really was unique force during the 80’s
What makes this collection especially rewarding is its authenticity. These recordings don’t sound like polished museum pieces, they sound alive. The performances retain all the spontaneity, imperfections, and excitement that make vintage recordings so appealing. Instead of chasing perfection, Silverman preserves the spirit that originally inspired these songs. But it’s also obvious that the competition during this era was brutal as any of these songs should have ended up on an official release.
The guest appearances only strengthen the album. Familiar voices such as Marcie Free, Stan Bush, and James Christian fit seamlessly into the material, adding character without ever overshadowing Silverman’s vision. Their contributions serve as reminders of the remarkable circle of musicians he has surrounded himself with throughout his career.
There is also an inspiring story behind the album itself. A planned Frontiers Records release ultimately stalled when one key vocalist chose not to participate, despite contracts already being in place. Many artists might have accepted defeat or left the project sitting on a shelf indefinitely. Silverman instead chose the independent route, releasing VAULT II himself rather than allowing circumstances to silence the music. That determination perfectly reflects the spirit of the album, a celebration of creativity that refuses to wait for permission.
Even more impressive is that VAULT II serves as part of a larger multimedia experience, connecting the music with personal stories, photographs, memories, and extensive digital liner notes. It transforms the album into something far richer than a simple compilation, allowing listeners to experience the creative journey behind the recordings while gaining a deeper appreciation for Silverman’s remarkable career. This is without a doubt THE liner notes of ALL liner notes. It’s crazy, so exstensive and informative.
Fans of Rick Springfield, Stan Bush, James Christian, Kevin Raleigh, Richard Marx, and classic melodic rock will discover countless moments to enjoy here. Yet the album’s appeal extends beyond any single genre. Whether it leans toward AOR, soulful pop, rock, or emotionally charged ballads, every track reflects the work of an artist who has spent a lifetime perfecting his craft.
From the Vault II: Songs From The Lost Chords is far more than a collection of unreleased recordings. It is a celebration of musical perseverance, artistic integrity, and the enduring power of great songwriting. Jeff Silverman hasn’t simply opened the vault, he has reminded us that some of the finest music is still waiting to be discovered.
Song by song reflection:
1. How Many Times Must We Say Goodbye
Music by: Jeff Silverman
Lyrics by: Judithe Randall
Vocals: Marcie Free
Published: 1988
Melodic Net reflection:
“How Many Times (Must We Say Goodbye)” showcases a slightly different side of Marcie Free, moving away from the melodic hard rock style many fans associate with her work in King Kobra, Signal, and Unruly Child. Instead, this Jeff Silverman and Judithe Randall composition leans into a sophisticated, groove-driven sound with echoes of Mr. Mister’s smooth pop-rock elegance. The melody is both memorable and distinctive, while the intelligent, uplifting chorus blends the melodic finesse of Toto with the emotional depth of Signal. Marcie Free delivers a heartfelt vocal performance that perfectly complements the song’s unique atmosphere, making it an engaging and refreshingly original listen.
2. Empty Surrender
Music by: Jeff Silverman
Lyrics by: Lara Cody
Vocals: Stan Bush
Published: 1988
Jeff Silverman reflection:
Lara has always had a way of saying a lot with just the right few words, and “Empty Surrender” is a perfect example of that. The lyric is direct, honest, and hits exactly where it needs to.
Stan’s vocal on this track brings it all to life in a way that made it one of my favorites on the album — there’s a strength and vulnerability in his performance that never left me.
Melodic Net reflection:
“Empty Surrender” is a dream come true for fans of classic AOR, delivering everything that made the genre so irresistible in the 1980s. Written by Jeff Silverman with lyrics by Lara Cody, the song combines soaring hooks, a driving melody, and a huge, unforgettable chorus that demands repeat listens. Stan Bush is in outstanding form, delivering a passionate and inspired vocal performance that recalls his finest work. The track has the unmistakable feel of an ’80s movie anthem and would have fit perfectly on the soundtrack to films like Top Gun, Rocky, Over the Top, or Iron Eagle. Pure melodic rock excellence.
3. When I Call You Back
Written by: Jeff Silverman
Vocals: Stan Bush
Published: 1988
Jeff Silverman reflection:
This was a time when I was writing and producing across all kinds of styles, and learning to let the “Jeff Silverman artist voice” step aside so the right voice could step in.
That shift changed everything — it became about casting the right voice for the right song.
Stan was one of those voices. What he brought to this song, and so many others, took them to another level in a way I could never have done myself.
Melodic Net reflection:
“When I Call You Back” is another outstanding collaboration between Jeff Silverman and AOR legend Stan Bush, proving once again how well their talents complement each other. While slightly softer and more reflective than “Empty Surrender,” the song never loses its melodic rock identity. It blends heartfelt emotion with polished musicianship, building toward a memorable chorus filled with the soaring hooks and uplifting atmosphere that define classic AOR. Stan Bush delivers a warm, passionate vocal performance that perfectly captures the song’s emotional core. Listening to both collaborations, it becomes clear that Silverman and Bush should have worked together more often. Silverman’s inspired songwriting brings a fresh dimension to Bush’s signature sound, creating melodies that feel both timeless and genuinely memorable.
4. Heartbeat
Written by: Jeff Silverman & Nick Gilder
Vocals: Nick Gilder
Published: 1985
Melodic Net reflection:
“Heartbeat” is a hidden gem that perfectly captures everything fans love about Nick Gilder’s melodic songwriting. Co-written by Jeff Silverman and Gilder, the song has a distinctive Canadian AOR flavor with subtle New Wave influences that give it a timeless and refreshing character. The warm production, irresistible melody, and instantly memorable chorus make it impossible to shake from your head after just a few listens. It also feels like a natural companion to Gilder’s underrated 1985 solo album, an overlooked AOR masterpiece that deserves far more recognition. Had “Heartbeat” been included on that record, it would have blended seamlessly with its melodic, hook-filled style. This is simply a beautifully crafted song that showcases both writers at their very best.
5. Chasing Shadows
Written by: Jeff Silverman
Vocals: Kristina Nichols
Published: 1988
Melodic Net reflection:
“Chasing Shadows” is a powerful slice of female-fronted AOR that deserves far more attention. Written by Jeff Silverman and featuring an outstanding vocal performance from Kristina Nichols, the song delivers everything fans of Fiona, Robin Beck, and Heart could ask for. Built around a driving melody, strong guitar work, and a memorable chorus, it captures the spirit of classic melodic rock with confidence and energy. Nichols’ voice is the real highlight, combining impressive power with a raspy edge that gives the song both character and attitude. It’s surprising that she never recorded more as a solo artist, as she clearly had the talent to front a major AOR release. “Chasing Shadows” is an overlooked gem that leaves a lasting impression.
6. Tell Me You Love Me
Written by: Jeff Silverman, James Christian
Vocals: James Christian
Published: 1992
Jeff Silverman reflection:
I met James through Judithe Randall, who was an amazing friend, co-writer, and music matchmaker. Judithe was an incredibly talented and gifted lyricist and artist who was always helping talented people she believed in.
Judithe had contacted James, who was in Connecticut at the time, and asked if he would come to California to record some of her songs. From that point on, it was only natural that James and I would end up working together as well.
We actually wrote a song together called “Tell Me You Love Me” that has never been released.
Melodic Net reflection:
“Tell Me You Love Me” showcases a more melodic and heartfelt side of James Christian, moving away from the harder edge of House of Lords in favor of polished AOR. Co-written with Jeff Silverman, the song is a passionate mid-tempo ballad built around an emotional melody, tasteful instrumentation, and a memorable chorus. It bears a strong resemblance to the style found on Christian’s debut solo album, Rude Awakening, although its smoother production may have made it an even better fit on a dedicated AOR release. Christian’s rich, expressive voice is perfectly suited to this style, highlighting his ability to deliver genuine emotion without sacrificing melody. “Tell Me You Love Me” is a beautifully crafted song that deserves to be rediscovered by melodic rock fans.
7. Circle of Tears
Music by: Jeff Silverman
Lyrics by: Judithe Randall
Vocals: James Christian
Published: 1988
Melodic Net reflection:
“Circle of Tears” is one of the standout moments on the collection and the stronger of James Christian’s two featured performances. Written by Jeff Silverman with lyrics by Judithe Randall, the song nalso leans toward polished AOR rather than the harder-edged sound of House of Lords, allowing Christian’s powerful and expressive voice to shine. The verses build steadily before exploding into a huge, memorable chorus packed with emotion and soaring melodies. There’s also a cinematic quality to the arrangement that makes it easy to imagine the song accompanying an ’80s action film. It would have been a perfect fit for the soundtrack to movies like Iron Eagle or Navy SEALs. “Circle of Tears” is a beautifully crafted melodic rock anthem with lasting appeal. AOR Heaven!
8. I Wasn’t Lonely Until I Met You
Written by: Jeff Silverman, Nick Trevisick
Vocals: Jeff Silverman
Published: 1986
Jeff SIlverman reflection
Aaron Jecoves, who was A&R at A&M at the time, reached out and asked me to write and produce a song for a band they had just signed called Logic. I invited Nick Trevisick to join me on the writing, and I recorded a reference vocal to give them a clear sense of the song.
Unfortunately, the deal never moved forward, but I did have the opportunity to work with the band, and they brought a real energy to the track. Aaron loved it — and for a moment, it felt like it had a real shot — but like so many things in this business, it quickly slipped away.
At a certain point, I felt the urge to take it further and added more parts on my own, just to bring that phase of the song to completion. The muse can be a tough taskmaster at times… but I’ve seldom ever regretted listening to it.
I always had a soft spot for my original reference vocal, along with a touch of additional voices that helped shape the feel of the production. It stayed with me.
It was never truly lost though… and it gives me great pleasure to finally see it find its place on From The Vault II.
Melodic Net reflection:
“I Wasn’t Lonely Until I Met You” offers a fun and energetic change of pace, with Jeff Silverman stepping behind the microphone for the album’s only track featuring his own lead vocals. As it turns out, he is a far stronger singer than many might expect, delivering a confident performance with a gritty rock edge that recalls Steve Plunkett of Autograph. Co-written with Nick Trevisick, the song is packed with catchy hooks, driving guitars, and an infectious melody that captures the carefree spirit of classic American melodic rock. It has the same road-trip appeal as artists like Eddie Money and Billy Satellite, making it the perfect soundtrack for cruising with the windows down. An enjoyable, feel-good rocker from start to finish.
9. This House Is Not a Home
Written by: Jeff Silverman, Tom Croucier
Vocals: Tom Croucier
Published: 1987
Melodic Net reflection:
“This House Is Not a Home” is a perfect example of the timeless appeal of American melodic rock. Co-written by Jeff Silverman and Tom Croucier, the song combines catchy hooks, a driving rhythm, and an irresistible sing-along chorus that instantly sticks with the listener. Croucier, best known for his work with Life by Night and Vanilla Fudge, delivers a confident and soulful vocal performance that proves he deserved far more recognition as a lead singer. The track captures the same infectious blend of AOR and rock heard in the music of Eddie Money, New Frontier, and Billy Satellite, making it an easy favorite for fans of the genre. It’s upbeat, memorable, and simply a joy to listen to from beginning to end.
10. City Limits
Written by: Jeff Silverman, Tom Croucier
Vocals: Tom Croucier
Published: 1987
Melodic Net reflection:
“City Limits” is another outstanding showcase of Tom Croucier’s underrated talent and one of the strongest AOR tracks on the album. Co-written with Jeff Silverman, the song delivers sophisticated songwriting, polished musicianship, and an instantly memorable chorus that highlights everything great about classic melodic rock. While it shares some of the heartland rock spirit of Eddie Money, its refined melodies and clever arrangement bring it even closer to artists such as Van Stephenson, Stan Meissner, and Bernie LaBarge. Croucier’s warm, expressive vocal performance perfectly complements the song’s polished production, creating a track that feels both timeless and distinctive. “City Limits” is AOR of the highest caliber—smart, melodic, and packed with hooks that reward repeated listens.
11. Dancin’ With The Devil I Know
Written by: Jeff Silverman, Meredith Marshall
Vocals: Meredith Marshall
Published: 1992
Jeff Silverman reflection:
Sometimes a song doesn’t take years to write… sometimes it arrives in a single day.
I met Meredith as a stranger, and somehow, in the span of that one day, we wrote and recorded “Dancing With The Devil I Know.” By the time we left the room, it already felt like it had always been there.
We walked away. The song didn’t. It stayed with us… alive in a way that’s hard to explain. Not unfinished — just waiting. Like so many songs in the vault, it wasn’t lost. It simply hadn’t met its moment yet.
Some songs chase the light. Others are born in the shadows. This one chose both. And now… it steps forward. Still breathing. Still dangerous. Still dancing with the devil we know.
Melodic Net reflection:
“Dancin’ With The Devil I Know” brings a refreshing pop influence to the collection while still retaining a strong melodic rock foundation. Co-written by Jeff Silverman and Meredith Marshall, the song blends polished production, catchy hooks, and an infectious chorus into a radio-friendly package with unmistakable AOR touches. Marshall, who also recorded as Meri D. Marshall, delivers a confident vocal performance that balances power with sweetness, making the song a perfect match for her voice. Recorded in 1992, it has the big, polished sound that defined the era and could easily have become a mainstream hit. It’s easy to imagine an artist like Alannah Myles turning this into a chart success. A wonderfully crafted song that deserves to be rediscovered.
12. Angel in Rags
Written by: Jeff Silverman
Vocals: Kristina Nichols
Published: 1988
Melodic Net reflection:
“Angel in Rags” is a true highlight for fans of classic AOR and one of the album’s strongest tracks. Written by Jeff Silverman, the song pairs an uplifting, energetic arrangement with a huge, memorable chorus that captures everything great about melodic rock. Kristina Nichols delivers a superb vocal performance, combining soulful emotion with impressive power and confidence. Her voice is a perfect fit for the song’s upbeat, anthemic style, adding both warmth and intensity to every line. It’s surprising that Nichols never recorded more as a solo artist, as performances like this prove she had all the qualities of a leading AOR vocalist. “Angel in Rags” is an infectious, feel-good anthem that deserves a place among overlooked melodic rock gems.
13. The World Is Better Dreaming
Written by: Jeff Silverman, Anthony Snape
Vocals: Chris Taylor
Published: 2009
Jeff Silverman reflection
My Mum, Barbara, was living a nightmare… except when she was asleep. Her only escape was in her dreams.
When she was diagnosed with stage 4 small cell lung cancer and given one year to live, everything changed overnight. I felt an urgency to capture what I was feeling in real time, watching her face, something no one should ever have to face, while still trying to find peace within it.
This song came from that place. A place I couldn’t share with her then, but one I needed to find my way to some sense of peace.
Melodic Net reflection:
“The World Is Better Dreaming” is the emotional centerpiece of the album and one of its most deeply moving moments. Written by Jeff Silverman and Anthony Snape, the song carries a heartfelt message inspired by Silverman’s mother, Barbara, and her courageous battle with cancer. Knowing the story behind the lyrics adds an even greater emotional weight, transforming an already beautiful song into something truly timeless. Chris Taylor delivers a sincere and expressive vocal performance that perfectly conveys the song’s themes of love, loss, hope, and remembrance. The arrangement is tasteful and restrained, allowing the emotion to remain at the forefront. It’s the kind of song that encourages listeners to pause, reflect, and lose themselves in its comforting beauty long after the final note fades.
14. Tower of Tears
Written by: Jeff Silverman
Vocals: Kenny Cetera
Published: 1990
Jeff Silverman reflection:
A Voice I Believed In
Kenny’s voice was something I believed in from our very first session back in ’89. Over the years, we kept coming back to this song, knowing it had something to say. When Vault II came into focus, the timing finally felt right.
Some songs, and some voices… just refuse to be lost.
Melodic Net reflection:
“Tower of Tears” is a magnificent slice of pure AOR and one of the album’s undeniable highlights. Written by Jeff Silverman and recorded in 1990, the song blends classic melodic rock with a subtle contemporary edge that gives it a timeless appeal. Kenny Cetera delivers a superb vocal performance, proving he is far more than simply Peter Cetera’s younger brother. While his voice shares some similarities, it also recalls the warmth and power of singers like John Farnham and Kevin Raleigh. Built around soaring melodies, polished musicianship, and a massive chorus, “Tower of Tears” captures everything that makes AOR so addictive. It’s an unforgettable melodic rock anthem and an essential listen for anyone who loves the genre.
15. Somewhere: The Duet
Written by: Aeone, Jeff Silverman
Vocals: Aeone
Published: 1988
Jeff Silverman reflection:
For this first-ever duet version of “Somewhere,” Aeone contributed newly recorded background vocals, adding an ethereal thread to this third chapter of the song — from her original recording, to Rick’s interpretation, to this shared reimagining.
Melodic Net reflection:
“Somewhere: The Duet” is a fascinating example of how the same song can take on an entirely different character through interpretation and production. Originally written by Aeone and Jeff Silverman, the song was first recorded by Aeone before Rick Springfield heard it and decided to make it his own for Sahara Snow. For this duet version, the two vocalists come together beautifully, blending Aeone’s atmospheric style with Springfield’s unmistakable melodic rock presence. Although originally recorded as separate performances, they were brought together for the first time to create this duet, with subtle lyrical differences and production choices creating a unique listening experience.The result is a moving collaboration that highlights Jeff Silverman’s versatility as both songwriter and producer while celebrating two distinctive artistic voices.
Album summary
As a lifelong AOR fan, I’ve always believed that some of the genre’s greatest songs never made it onto official albums. While countless classics were released during AOR’s golden era, just as many outstanding tracks remained hidden away as demos, victims of timing, industry competition, or simple bad luck. Vaults II is proof of that. Jeff Silverman has unearthed a remarkable collection of songs that, in several cases, surpass what the featured artists eventually released. The performances by Marcie Free and James Christian are exceptional, while Nick Gilder’s “Heartbeat” is an irresistible pop-rock gem with strong AOR sensibilities.
What makes Vaults II so special is not only the consistently high quality of the songwriting but also its impressive variety. Every track feels carefully crafted, showcasing Silverman’s remarkable gift for memorable melodies, soaring choruses, and timeless hooks. This is far more than a collection of demos, it’s a treasure trove of lost melodic rock classics. For anyone who loves AOR, melodic rock, and the sound of the ’80s, Vaults II is an essential listen. It has quickly become an album I’ll return to again and again, further cementing Jeff Silverman’s reputation as one of the finest and most underrated songwriters of the era.
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What's Inside the Special Digital Edition
- The complete 15-song From The Vault II (Songs From The Lost Chords) digital album, including 320 kbps MP3, 16-bit/44.1 kHz AIFF, and 24-bit/48 kHz WAV files.
- Album audio delivered by Bandcamp in your preferred available format.
- Exclusive expanded digital liner notes exploring the inspiration behind VAULT II, the creative journey that shaped the project, complete lyrics, artist bios, and album credits.
- Original From The Vault II album artwork plus exclusive Special Digital Edition artwork.
- A personal welcome to the Special Digital Edition from Jeff Silverman.
- The complete Branch I companion book in both PDF and EPUB formats.
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The World Is Better Dreaming in multiple premium audio formats:
- Apple Digital Master 24-bit/48 kHz WAV
- Apple Digital Master 320 kbps MP3
- 5.1 Surround FLAC presentation
- Dolby Atmos MP4 presentation
- Branch I playback guide.
- Branch I cover artwork.
- Official From The Vault II press release.
Compare the VAULT II Digital Editions
The Special Digital Edition includes the complete From The Vault II (Songs From The Lost Chords) digital album plus the exclusive Branch I Experience, centered on Jeff Silverman's single, The World Is Better Dreaming. Branch I adds immersive Dolby Atmos and 5.1 surround audio, companion reading, exclusive artwork, and bonus content not included with the standard digital album.
What's Included?
The Special Digital Edition includes the complete From The Vault II (Songs From The Lost Chords) digital album plus the exclusive Branch I Experience, centered on Jeff Silverman's single, The World Is Better Dreaming. Branch I adds immersive Dolby Atmos and 5.1 surround audio, companion reading, exclusive artwork, and bonus content not included with the standard digital album.
Lyrics, Credits, Reflections
Featured Guest Artists: Marcie Free • Stan Bush • James Christian • Nick Gilder • Rick Springfield • Kenny Cetera • Kristina Nichols • Meredith Marshall • Tom Croucier • Chris Taylor • Aeone
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How Many Times Must We Say Goodbye
feat. Marcie Free
Verse 1
Knockin’ at a door that always lets you in
Every time I close my heart you open it again
After all is said and done
Nobody lost, nobody won
Must we break before we bend
Chorus
How many times must we say goodbye
How many tears do we have to cry
Chasin’ the wind while our love slips by
Watchin’ our dreams drift out of sight
What does it take to turn the tide
How many times must we say goodbye
Verse 2
Reaching out to hold you, your words push me away
It’s hard to let you go, but it’s harder if you stay
If we remember and regret
Forgiving what we can’t forget
Can we reach past yesterday
Chorus
Verse 3
Laying here beside you, heart to restless heart
It’s easy to believe a promise in the dark
If we can face the morning light
And make it last beyond the night
We might catch a rising star
Bridge
Wonderin’ why love loses touch
I thought I knew you well
Was it too little or too much
Believe me – only time will tell
But we say goodbye
Chorus (Repeat Out)
Credits
Song: “How Many Times (Must We Say Goodbye)”
Artist: Marcie Free
Music by: Jeff Silverman
Lyrics by: Judithe Randall
Published: ©1988 Stone Diamond Music Corporation (BMI),
Atso Music (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Lead Vocal: Marcie Free
Background Vocals: Marcie Free, Aeone
Empty Surrender
feat. Stan Bush
Verse 1
You tell me it’s a battle that we’re fighting
Well, can’t make love, girl, if you want war
You’re gonna have to carry on one-sided
I won’t take the shots no more
So, the fighting is done
Are you happy you’ve won
Chorus
Nothing but an empty surrender
Filled up with long nights at home
’Cause being free from forever
Means you’re gonna end up alone
With nothing but an empty surrender
Nothing but an empty surrender
Verse 2
I thought that we could face the world together
No — ’cause for you love is giving in
I can’t win you over under pressure
So — let the battle end
Now, I’m saying goodbye
And you’re holding your prize
Chorus
Bridge
If victory ain’t all that you thought
If you’re finding that it’s bittersweet
Remembering all the times
When I stood there by your side
Then maybe you’ll come back
Baby, you might come back to me
Chorus (Repeat Out)
Reflection
Lara has always had a way of saying a lot with just the right few words, and “Empty Surrender” is a perfect example of that. The lyric is direct, honest, and hits exactly where it needs to.
Stan’s vocal on this track brings it all to life in a way that made it one of my favorites on the album — there’s a strength and vulnerability in his performance that never left me.
Credits
Song: “Empty Surrender”
Artist: Stan Bush
Music by: Jeff Silverman
Lyrics by: Lara Cody
Published: ©1988 Stone Diamond Music Corp (BMI),
Shrimp Boat Songs (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Lead Vocal: Stan Bush
Background Vocals: Stan Bush, Aeone
When I Call You Back
Verse 1
We were young back then and full of pride
Fearless spirits in the sky
Running like the wild run free
As the sun beat down and the heat was dry
Never thought twice, never asked why
We just followed our heartbeat
Now time rolls past and my eyes can’t see the memory
I’m tryin’ to hold on
But the sun comes up and always reminds me
That they are not gone
Chorus
That’s when I call you back
And turn away from reason and jump the track, reenact
Oh, let the sorrow call you back
And all the other seasons will fade to black, counteract
When I call you back
Verse 2
Sweat of the palms of a nervous boy
Talkin’ to his first love with agony and joy
Stumblin’ words of bliss
And the young girl smiles and shy’s away
She knows that there is still one day
She’ll be givin’ him his first kiss
Nothin’ like the innocence and honesty of youth
Throwin’ rocks up to the moon
I’ll always keep alive those feelings
And that night with you
Chorus / Solo
Baby, that’s when I call you back…
Reflection
This was a time when I was writing and producing across all kinds of styles, and learning to let the “Jeff Silverman artist voice” step aside so the right voice could step in.
That shift changed everything — it became about casting the right voice for the right song.
Stan was one of those voices. What he brought to this song, and so many others, took them to another level in a way I could never have done myself.
Credits
Song: “When I Call You Back”
Artist: Stan Bush
Written by: Jeff Silverman
Published: ©1988 Stone Diamond Music Corporation (BMI)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Stan Bush
Heartbeat
Verse 1
Somewhere out on that lonely street,
You might take a walk
And listen for the rhythm sound
Where the distant voices talk
And the concrete stains with true confessions,
Should I paint you blue?
Or turn it around to a rhythm sound,
I’ll take what I give you
Chorus
Stop the rain from fallin’,
Start the heartbeat callin’
(This heartbeat)
Can you feel the sound of my pounding heartbeat, heartbeat
The sound I’ve come to know,
You I’ve come to show
Heartbeat
(Heartbeat, heartbeat)
Verse 2
The offering on a fair exchange,
Where the frozen look for heat
We’re pounding out the rhythm
To a different drummer’s beat
Who’s standing in the rain,
The passion or the pain?
We’re right on time, I hear your sound
Can I take what I give you
Chorus
Bridge / Tag
Woo wooh
Woo wooh
Stop the rain from fallin’,
Start the heartbeat callin’
Final Chorus
Stop the rain from fallin’,
Start the heartbeat callin’
(This heartbeat)
Can you feel the sound of my pounding heartbeat, heartbeat
Can you feel the sound of this pounding heartbeat, heartbeat
Credits
Song: “Heartbeat”
Artist: Nick Gilder
Written by: Jeff Silverman & Nick Gilder
Published: ©1985 So Look It Music (ASCAP), BMG Blue (BMI)
Produced by: Jeff Silverman and Nick Gilder
Engineered, Mixed & Mastered by: Jeff Silverman at Angel Studios (aka Palette Music • Studio • Productions, Los Angeles, CA)
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Background Vocals: Nick Gilder and Jeff Silverman
Chasing Shadows
Oh yeah
Verse 1
Half alive and I’m on my own,
Just trying to survive
I’m locked outside, thrown away the key
Feel myself sink, walls fallin’ on me
’Cause I can’t take the heat,
Gotta get back on my feet
Sift through my pockets for that broken dream
Chorus
Out on the street,
My heart pounds to the beat
Chasing shadows on the wall
I need you back,
’Cause my world turned to black
Chasing shadows
Chasing your shadow on the wall
Whoo ooh
Chasing shadows
Verse 2
Jump to the sound of the rain coming down,
But no shelter in my site
The cold has burned a hole deep in my heart,
But when the light goes down, I look for you in the dark
Now this heartache brings constant pain,
’Cause since you’ve been gone,
I can’t find my way
Bridge
Where did you run, where did you hide?
You left me here to hold the memories inside
If I don’t find it soon, I’ll run out of time
’Cause I can’t keep goin’ on this way,
Don’t leave me out here one more day
Whoo ooh
Credits
Song: “Chasing Shadows”
Artist: Kristina Nichols
Written by: Jeff Silverman
Published: ©1988 Stone Diamond Music Corporation (BMI)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Kristina Nichols
Tell Me You Love Me
Ooohhh
Verse 1
Sayin’, sayin’, sayin’ love is forever,
I couldn’t leave, I need you more
I’m givin’, givin’, givin’ my confession
Whatever was said now is done,
I’m ready, just say I’m the one
Down on my knees and I’m beggin’ you, please, baby
Chorus
Oh no
Tell me you love me,
I won’t hurt you anymore
Ooh whoa whoa
Show me you need me,
’Cause baby, I’ve been there before
Verse 2
I’m prayin’, prayin’, prayin’ you will remember
The way I held you when you cried
You needed, needed my protection
I still feel your lips on my skin,
Now I’m askin’, is that a sin?
Down on my knees and I’m beggin’ you, please, baby
Bridge
My heart was a desert
A long, long time ago
I was lookin’ for shelter
So how could you leave me
Now I found my way home,
Found my way home
Solo
Made me look for the truth in your eyes,
’Cause I’m feelin’ the pain deep inside
Down on my knees and I’m beggin’ you, please, baby
Story
I met James through Judithe Randall, who was an amazing friend, co-writer, and music matchmaker. Judithe was an incredibly talented and gifted lyricist and artist who was always helping talented people she believed in.
Judithe had contacted James, who was in Connecticut at the time, and asked if he would come to California to record some of her songs. From that point on, it was only natural that James and I would end up working together as well.
We actually wrote a song together called “Tell Me You Love Me” that has never been released.
Credits
Song: “Tell Me You Love Me”
Artist: James Christian
Written by: Jeff Silverman, James Christian
Published: ©1992 Palette Music (BMI), Anamite Pub (BMI)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: James Christian
Circle of Tears
Verse 1
The doors are open and the right words spoken
Like the calm before the storm
Our bodies yearning and the sweet fire burning
Can it last beyond the dawn
Here together, this side of never
Tears of joy and tears of pain
If we should fall, we’ll climb the wall
And the circle starts again, we’ll live this
Chorus
Circle of tears, with the trust and fear
That every heartbreak only makes us stronger
So live the circle of tears, through the restless years
And we’ll belong, in this circle of tears
Verse 2
Skies turn grayer, while we laugh now cry later
On the winds of change that blow
Hold you or hurt you but I, won’t desert you
I’ll say goodbye but I won’t go
†he magic passes, from flame to ashes
We grow together and grow apart
Illusions shatter but they, don’t matter
In the mirror of the heart, we’ll live this
Chorus
Bridge
Tears too late to forget
Too soon to regret
We’ll keep holding on
Let’s give time a chance
And finish the dance
When the song is gone
Outro
In this circle of tears
Credits
Song: “Circle of Tears”
Artist: James Christian
Music by: Jeff Silverman
Lyrics by: Judithe Randall
Published: ©1988 Stone Diamond Music Corporation (BMI),
Atso Music (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: James Christian
I Wasn’t Lonely Until I Met You
Verse 1
We were the victims of our own youth,
Untamed passions always on the loose
’Cause all the future never got in our way,
Love was the game and we wanted to play
You turned this all to a mystery,
Now nothin’s like it used to be
You’ve got my world turned upside down,
Can’t get my feet back on the ground
Chorus
I wasn’t lonely ’til I met you,
Thank you for changin’ my point of view
I wasn’t lonely ’til I met you,
I’m in a mess now, baby, what can I do
I wasn’t lonely ’til I met you,
I wasn’t lonely ’til I met you
Verse 2
Independent, you think you’re so cool,
I’ve got to warn you, I ain’t nobody’s fool
My heart beats like a man on fire,
’Cause you ran away stealin’ my desire
Chorus / Solo
Bridge
As I lie here,
All I can do is think of you (think of you)
Made it so clear
That I’ve got to wake up (wake up)
’Cause you’re never comin’ back now
Chorus
Reflection
Aaron Jecoves, who was A&R at A&M at the time, reached out and asked me to write and produce a song for a band they had just signed called Logic. I invited Nick Trevisick to join me on the writing, and I recorded a reference vocal to give them a clear sense of the song.
Unfortunately, the deal never moved forward, but I did have the opportunity to work with the band, and they brought a real energy to the track. Aaron loved it — and for a moment, it felt like it had a real shot — but like so many things in this business, it quickly slipped away.
At a certain point, I felt the urge to take it further and added more parts on my own, just to bring that phase of the song to completion. The muse can be a tough taskmaster at times… but I’ve seldom ever regretted listening to it.
I always had a soft spot for my original reference vocal, along with a touch of additional voices that helped shape the feel of the production. It stayed with me.
It was never truly lost though… and it gives me great pleasure to finally see it find its place on From The Vault II.
Credits
Song: “I Wasn’t Lonely Until I Met You”
Artist: Jeff Silverman
Written by: Jeff Silverman, Nick Trevisick
Published: ©1986 Stone Diamond Music (BMI),
Universal Polygram (ASCAP), Casa David LP (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman at Angel Studios (aka Palette Music • Studio • Productions, Los Angeles, CA)
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Lead Vocal: Jeff Silverman
Background Vocals: Jeff Silverman, Billy Sherwood
This House Is Not a Home
Verse 1
You don’t see me,
Not me no more (ooh woh)
The silence follows me right
Out of every room
Always talkin’ to myself
Verse 2
The years had come,
And years had gone
The feeling ran away and
Left me here alone
Sittin’, lookin’ out my window,
Lovers on the boulevard,
Hand in hand and walkin’ real slow
Chorus
This house is not a home
Ever since you’ve gone away (oh)
You will never know these tears I cried (oh woh, oh baby)
I’m in here all alone,
Don’t know if it’s night or day
’Cause baby, this house is not a home
Verse 3
I’m on the phone,
Searchin’ for you (ooh woh)
What would I say if you should
Answer when I call
Should I tell you words that only,
Words that only lovers hear?
Or should I say I’m lost and lonely
Chorus
Bridge
How strange, but I thought that we had everything (oh)
We changed too soon before discovering
True love wins
Verse 4
When I hear the music playing,
Every song reminds me of you,
And I hear the words they’re saying
Credits
Song: “This House Is Not a Home”
Artist: Tom Croucier
Written by: Jeff Silverman, Tom Croucier
Published: ©1987 Stone Diamond Music (BMI),
Life By Night Music (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman at Angel Studios (aka Palette Music • Studio • Productions, Los Angeles, CA)
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Tom Croucier
City Limits
Verse 1
Too many hearts on fire in the heat of the city night,
Don’t want to look outside and see the tears of the constant fight
So many times she said, “I gotta get away,”
She has to take the chance to see
Or it’ll be a mystery, ’cause
Chorus
Outside the city limits,
Two hearts are born for living,
Where they beat as one (whoa oh)
Outside the city limits,
Freedom is just beginning,
It’s time to leave behind
These city lights
Verse 2
All of her friends are saying that she’s lost in a hopeless dream,
And all of the words they tell her aren’t the words that they really mean
They’ll never take the chance to see,
’Cause it’s such a mystery
Chorus
Bridge
Face to face,
She’s a prisoner without a cage
Face to face,
She won’t live with this silent rage no more
Credits
Song: “City Limits”
Artist: Tom Croucier
Written by: Jeff Silverman, Tom Croucier
Published: ©1987 Stone Diamond Music (BMI),
Life By Night Music (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman at Angel Studios (aka Palette Music • Studio • Productions, Los Angeles, CA)
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Tom Croucier
Dancing with the Devil I Know
Verse 1
In the stillness, there’s a howling,
But I won’t let it take me down again
I’ve been there before
I can feel it, breathing hungry,
Down my neck as it waits for me to crawl,
But I won’t go
I won’t go, I’ve been there before,
Don’t you know? Hey
Chorus
Sun and moon,
Rising on my reverie,
Leaving me soon
To my own devices
I know I’ll be spending the rest of my life
Dancing with the devil I know
Verse2
I’m a witness to surrender
Of a mind, of a spirit, of a soul (yeah)
I’ve been there before
I curse the candle, I praise the darkness,
I raise my eyes to the vision of my fall,
But I won’t go (yeah)
I won’t go (yeah),
I’ve been there before (yeah),
And I know
Chorus
Bridge
Somewhere there is music playin’ for me,
Somewhere there’s somebody sayin’,
“Come away and dance into the light”
Chorus x2
Dancing, dancing with the devil (dancing with the devil I know)
Dancing, dancing with the devil
Dancing, dancing with the devil
Dancing with the devil
Dancing with the devil
Dancing with the devil I know
Prelude
Sometimes a song doesn’t take years to write… sometimes it arrives in a single day.
I met Meredith as a stranger, and somehow, in the span of that one day, we wrote and recorded “Dancing With The Devil I Know.” By the time we left the room, it already felt like it had always been there.
We walked away. The song didn’t. It stayed with us… alive in a way that’s hard to explain. Not unfinished — just waiting. Like so many songs in the vault, it wasn’t lost. It simply hadn’t met its moment yet.
Some songs chase the light. Others are born in the shadows. This one chose both. And now… it steps forward. Still breathing. Still dangerous. Still dancing with the devil we know.
Credits
Song: “Dancin’ With The Devil I Know”
Artist: Meredith Marshall
Written by: Jeff Silverman, Meredith Marshall
Published: ©1992 Stone Diamond Music Corporation (BMI),
Monotone Music (ASCAP)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Meredith Marshall
Angel in Rags
Verse 1
Hard working guy sitting in the street
Head down to the ground
Starin’ at his blackened shoes on his feet
With a stern and concerned brow
The voice of justice is in his head
Askin’ what it’s all about
The world outside is shoutin’, make a stand
Or choose to be silent, and not be a man
When big city’s running through him
Like a bullet through his heart
But his soul will take the pain away
Chorus
He’s an angel, angel in rags (an angel in rags)
A poor boy tryin’ to stay ahead of the game
In the cold and silent rain
He’s an angel, angel in rags (an angel in rags)
And he’ll close his eyes at the end of the day and pray
Verse 2
People starin’ and it feels so strange
A rebel without a gun
Livin’ day to day in life’s chains
A victim of the prodigal son
He’s no hero of our modern times
But he sees a truth in all he meets
A gentle man with the will to survive
Just tryin’ to live his dream
Where can you find the honesty
When the innocence has faded away
But he cares enough to carry on
Chorus
Bridge
No time for comfort
No place to hide
Out here alone in the world
left to live or die
Chorus x2
Credits
Song: “Angel in Rags”
Artist: Kristina Nichols
Written by: Jeff Silverman
Published: ©1988 Stone Diamond Music Corporation (BMI)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Kristina Nichols
The World Is Better Dreaming
Dedicated to my Mum, Barbara L. Silverman
Dec. 28, 1926 – July 31, 2011
Her place of peace was, and will always be, in her dreams.
Verse 1
Haunted by a whisper
Heavy with the news
Iron gates are closing down
Everything to lose
Verse 2
The cell confides solutions
Secret answers interwound
You’re a soldier in a war zone
A million miles from home
Try not to talk about it
This running out of time
Chorus
The world is better dreaming
Smiling when you’re sleeping
When you’re cold and bleeding
The world, the world is
Better dreaming (Amen)
Better dreaming (Amen)
Verse 3
You will find no shelter
In a valley forged of tears
And when all that you have to turn to
Has been lost, you disappear
It’s hard to talk about it,
You’re running out of time
Chorus
Verse 4
It’s too much to talk about it
When you’re running out of time
Chorus
Song Reflection
My Mum, Barbara, was living a nightmare… except when she was asleep. Her only escape was in her dreams.
When she was diagnosed with stage 4 small cell lung cancer and given one year to live, everything changed overnight. I felt an urgency to capture what I was feeling in real time, watching her face, something no one should ever have to face, while still trying to find peace within it.
This song came from that place. A place I couldn’t share with her then, but one I needed to find my way to some sense of peace.
Credits
Song: The World Is Better Dreaming
Artist: Chris Taylor
Written by: Jeff Silverman, Anthony Snape
Published: ©2009 So Look It Songs (ASCAP),
Anthony Snape Music Publishing (SESAC) (APRA)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Nashville, TN
Additional Engineering (Chris Taylor vocals): Jason Nantz
at N&T Studios, North Carolina
Instrumentation: All instruments performed by Jeff Silverman
(except acoustic guitars by Anthony Snape)
Lead Vocal: Chris Taylor
Background Vocals: Chris Taylor, Anthony Snape
Tower of Tears
Verse 1
I tried to get in but you pushed me away
Why are you so afraid of me?
Shut out the world without letting me in
I need to find a way to make you see
Before it’s too late, reach out for my hand
Trust me to show you the way
Or the cold of the night in this lost foreign land
Will carry you so far, far away
Chorus
Into a tower of tears
Will you live out the years
With no one to comfort the heart of your lonely soul
Because in a tower of tears
You will be left with the fear
No one around to hold
While you keep on growin’ old, in a tower of tears
Verse 2
Well, we all feel the pain and we all lose our way
But only the strong will survive
You won’t be alone if you just won’t give in
I’ll be there to comfort in time
And if you doubt and lose sight of my hand
And fall into the black of day
Now I may not find that distant land
That carried you so far, far away
Chorus
Bridge
A wish is a wish
Until it comes true
A dream may not be fantasy
The sky is the limit
The world is for you
To make it all reality
Oooh, with me
Or the cold of the night in this lost foreign land
Will carry you so far, far away
Chorus Out
A Voice I Believed In
Kenny’s voice was something I believed in from our very first session back in ’89. Over the years, we kept coming back to this song, knowing it had something to say. When Vault II came into focus, the timing finally felt right.
Some songs, and some voices… just refuse to be lost.
Credits
Song: “Tower of Tears”
Artist: Kenny Cetera
Written by: Jeff Silverman
Published: ©1990 Stone Diamond Music Corp. (BMI)
Produced, Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Drums, Bass, Guitars, Keyboards: Jeff Silverman
Vocals: Kenny Cetera
Somewhere: The Duet
Verse 1
Tonight, as I watch your love unfold
The child inside my soul
Breaths you in and holds you closer
Tonight, I wish we weren’t so far apart
Because the beating of this heart
Is telling you, you can’t surrender
Verse 1B
The words are on my lips but they’re hard for me to say
If you can keep believing
One single kiss could take my breath away
Chorus
Somewhere in the silent morning
Someway out beyond the sea of blue
There’s a dream that’s calling
Somewhere there’s a place for me and you
Oh, me and you
Oh
Verse 2
So near, as the images unwind
We move in perfect time
And precious words of love are spoken
And here, across the miles so far away
Yeah, I cross my heart and pray
That a promise made will not be broken
Verse 2B
The words are in my head
But they’re hard for me to say
Sometimes alone, the power of what I feel
Can take my breath away
Chorus 2
Bridge
And if love grows strong there
Let your heart be strong there
And may this spirit reign over you
Chorus 3 (Repeat Out / Modulations)
Round III of “Somewhere”
For this first-ever duet version of “Somewhere,” Aeone contributed newly recorded background vocals, adding an ethereal thread to this third chapter of the song — from her original recording, to Rick’s interpretation, to this shared reimagining.
Credits
Song: “Somewhere: The Duet”
Artists: Rick Springfield & Aeone
Written by: Aeone, Jeff Silverman
Additional Lyrics by: Rick Springfield
Published: ©1988 Stone Diamond Music Corporation (BMI),
Angleterre Music (BMI)
Produced by: Jeff Silverman & Rick Springfield
Engineered, Mixed & Mastered by: Jeff Silverman
at Palette Music • Studio • Productions, Los Angeles, CA
Guitar: Tim Pierce
Keyboards: John Phillip Shenale
Additional Keyboards: Aeone
Drums, Bass, Additional Keyboards: Jeff Silverman
Saxman: (aka “A lack of long-term memory!”)
Vocals: Rick Springfield, Aeone
Background Vocals: Aeone, Rick Springfield, Jeff Silverman
